Cut and pasted from the BFI website:
Goodbye (Bé omid é didar)
Directed by: Mohamad Rasoulof
When your country starts treating you like you don't belong, then it's time to leave.
A young pregnant lawyer in Tehran, whose husband is exiled to the desert because of his political journalism, has had her licence to practice revoked for activism. Alone and powerless, she struggles to obtain an exit visa even as her apartment is searched by secret police. Described by one journalist as a silent scream of protest, it has an unequivocal meaning and a visceral relevance to Rasoulof himself following his arrest.
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This is less of a film review and more of a personal reaction to the film. Goodbye is an Iranian film, which depicts life in modern-day Iran.
I have a romanticised notion of what living in the Arab world is like, based on my extensive travels around the region as a tourist. I love the Arab world and, because I dress respectfully and modestly, and have a brown skin, I have always been treated with courtesy and respect by Arab men. Even as a Christian, I still believe that the most beautiful and lyrical sound in the world is the call to prayer. Waking up to it every morning when I am in the Arab world is something that I treasure.
However, what this film drove home to me is that in today's Iran there is no freedom of speech, freedom of expression, freedom of movement - no freedom full stop. For many people it is a living death. The filmmakers of this film, and other Iranian films, have been imprisoned for significant amounts of time, and banned from making films for decades. This is so sad. I read "Reading Lolita in Tehran" and Iran, prior to Khomeini, was a liberal Muslim state, where women had rights, jobs and freedoms. Women's rights and equality are actually both enshrined and protected in the Koran.
I have always recognised and appreciated that I am very lucky to have been born in England, educated in England, and given all the life chances and opportunities that this country has given me. I am passionate about being both English and British. This film actually made me appreciate and value the many freedoms that I have as a British subject/citizen - principally freedom of speech and expression, freedom of movement, and freedom to protest and also just the basic freedom of living in a Western liberal democracy. As a British subject/citizen I can pretty much think, say, do and go where I want; many people around the world cannot.
I fully appreciate that some people are more able to take advantage of these rights and freedoms than others. I know full well that the poor are disenfranchised in many ways in all societies, including within British society. That does not change the basic fact that we have many rights and freedoms in Britain that we often take for granted. This film and what had befallen its film-makers was a wake-up call.